The Preacher’s Vocal Toolbox
Feb 3, 2010 • By David Murray • 1 CommentThe preacher has a number of God-given voice tools in his vocal toolbox. Here are six. (Update: For more on how to deliver a sermon, see my new book from Evangelical Press, How Sermons Work.)
1. VolumeThere is no point in preaching if we do not speak so as to be heard. The voice should be loud enough to be heard by all throughout the whole sermon. Volume should flow naturally from the subject material and its impact on our own hearts. It should not be manufactured. 2. Diction
Many people mistakenly think that volume is the most important factor in making ourselves heard. It’s not. It’s diction – the clarity with which words are spoken. People will hear even the whispers of someone who clearly separates and articulates all the consonants and syllables of his words without slurring, mumbling, or omission. Equally, without diction, the loudest voice in the world will be just a noise to the hearers. 3. Tone
Tone refers not so much to the volume of the note but the pitch of it. The voice has a wide range of tones from low bass notes to high alto notes. In our everyday speech our tone varies with mood and circumstance. This natural variety should be carried into the pulpit in order to avoid unnatural monotony. Normally sermons begin with a low tone/pitch, which usually heightens as the sermon progresses to application. 4. Emphasis
When we talk to people, we naturally emphasize what we most want our hearer to listen to. We do this by an increase in volume, diction, or tone for a word or two. This natural “tool” for making one word or phrase stand out from the rest is an important and much underused vocal asset. 5. Pace
Another “tool” is pace. Regular and appropriate variations in pace make listening easier. Care should be taken not to speak like a train – and also not to speak like a tortoise.
Wise insertion of pauses allow the truth to sink in and influence the heart before moving on to the next point. Sermons without pauses are like the flat stones which are skimmed across the surface of the water. They make shallow and temporary impressions on the surface as they skate along. Pauses allow the pebbles of truth to sink down and stay down. 6. Variety
“Variety” simply refers to the wise and judicious combination of these “tools”. When building a house, the joiner does not always use the hammer. He picks up different tools for different tasks. So, when preaching a sermon, the preacher should wisely vary the use of his vocal tools, moving from loud to quiet, from fast to slow, from didactic to emotional, etc. Robert L. Dabney said: “Take your model here from Nature. She does not thunder all the year; she gives us sunshine, gentle breezes, a sky checkered with lights and shades, the stiffening gale, and sometimes the rending storm. So no hearer can endure a tempest of rhetoric throughout the discourse.”
20 Ways to Apply a Sermon
Feb 2, 2010 • By David Murray • 0 CommentsNew book from Evangelical Press: How Sermons Work.
Making a sermon stick
Feb 1, 2010 • By David Murray • 0 CommentsApplication is what makes a sermon “stick.” It glues the truth to the mind, fixes it in the heart, and attaches it to the conscience. Without application, the sermon slips through one ear and goes out the other, leaving us unchanged.
But what is application? Here’s my definition: Application is the process by which the unchanging principles of God’s word are brought into life-changing contact with people who live in an ever-changing world. Update: For more on sermon application see my new book from Evangelical Press, How Sermons Work.
Twenty Ways to Structure a Sermon
Jan 30, 2010 • By David Murray • 1 CommentNew book from Evangelical Press: How Sermons Work.
Ten Principles of Sermon Organization
Jan 29, 2010 • By David Murray • 0 CommentsThe preacher is described as, “a workman that needeth not to be ashamed, rightly dividing the word of truth” (2 Tim. 2:15). This means that a major part of the preacher’s task is to divide the word of God into appropriate blocks of material. His sermons should have a plan or a structure. This means that the main block of sermon material will be divided into two or more smaller and distinct blocks of material which are then presented in logical sequence.
Sometimes this plan will be obvious before the preacher even begins to question the text. Sometimes it will arise as he works on it, and sometimes it will only arise after the work of exegesis is completed. In sermon preparation, the preacher should be constantly seeking a structure. And even when one emerges, the question should be, “Is this the best one?” The preacher must be prepared to dispense with his initial structure if another emerges which better presents the subject.
The major benefit of structure, apart from helping the preacher to present his material, is that it greatly aids retention of the message by the listeners. Update: New book from Evangelical Press: How Sermons Work.
